Taxi Hand Signs

Project Type: 
Published
taxi cover for web front.jpg
Cover Artwork: 
Susan Woolf
Author: 
Susan Woolf
Illustrations: 
Susan Woolf
Graphic Design: 
ada enup designer
Editor: 
Alicia Woolf
Book Size: 
Custom
Page Count: 
44
Binding: 
Perfect-bound and stitched
Colour: 
Colour cover, colour throughout
Cover: 
Soft cover
Copyright: 

Susan Woolf

Publication Year: 
2008
Edition: 
1st
ISBN: 
978-0-620-38349-3
Publisher: 
ada enup
Printer: 
HotPaper Birnam
About the Book: 

For the past two years Susan Woolf has been researching and documenting the hand signals relating to taxi routes in South Africa. Taxi Hand Signs is a collection of these.

To date, Woolf has sourced and painted twenty eight gloved taxi hand signs in bright colours. Each hand sign is aligned to the specific routes to which they belong. She has also designed a separate set of taxi hand signs for the blind, in collaboration with the South African Blind Workers Association (SABWA). The set of ten symbols represent all the taxi hand signals and are designed in shapes of raised dots so that blind people, even children, can learn them quickly and easily. A separate book will be manufactured in relief using the brail method of raised dots. To start with they will be distributed to every blind person in Johannesburg by SABWA (The South African Blind Workers Association).

At the moment, limited information exists for commuters; many people who see taxis every day are completely unaware that such a simple yet complex communication exists. Even people who regularly commute via taxi only know the few that pertains to their usual routes. All South Africans (and tourists, particularly in 2010) should have easy access to information regarding commuting to various destinations.

This book is part of an ongoing project that forms part of Woolf’s intended doctoral thesis, currently in proposal form. Woolf’s Taxi hand sign artwork has been accepted for the National Stamp of South Africa for 2010.

About the Author: 

Symbolism, meaning and communication are intrinsic to Woolf’s artwork, which is generally historically or socially based.

Past artworks include Woolf’s installation Healing and 30 Art Books were exhibited in Museum Africa 1997 – 1998. A five storey high aluminium kinetic Mobile City for Absa Bank was a collaboration with two architects, Levin and Cawood in 1999.

Woolf is documenting Taxi hand signs in South Africa for sighted and blind people. She published an A6 Taxi Hand Book with ada enup. It is the subject matter for an exhibition in 2010 and towards her current doctoral thesis in Anthropology and Art at Wits University.

Her work on view on the Mandela @ 90 exhibition (Constitutional Court 2008) related to her solo exhibition Towards Mandela, which was held at the King Plow Center in Atlanta in 1997. This was organised through Fulton County Arts Council, Leadership Atlanta and 100 Black Men. Woolf was the Project manager of South African Art to Atlanta, Common and Uncommon Ground for the 1996 Cultural Olympiad.

Also on show at the Mandela @ 90 exhibition is a carved wooden maquette entitled Witness: Shadow of Ubuntu is a composite of eleven outdoor sculptures which, when completed, will span more than thirty meters across with a general height of 3meters. The Witnesses cast shadows which collectively read “UBUNTU” throughout the year, every day, at a specific time. Madiba’s outreach encompassing all the peoples of South Africa is a profound and living example of the true meaning of Ubuntu.

Woolf was honoured by the ‘Ampersand Foundation’ and received a Fellowship to study in New York. She has had numerous other exhibitions in galleries and museums in South Africa and abroad and has artwork in major corporate and private collections.

"Why do writers write? Because it isn't there."
- Thomas Berger